![]() ![]() These sounds are more tactile, more attuned to physical experiences. ![]() The album resists any conventional approach, refusing to adhere to formulaic genre labels or even allowing for much in the way of concrete associations. She possesses an unnerving ability to harness the wild graces of her creative instincts, allowing them room to roam free of restraint or direction, even as periods of restorative calm appear and retreat without warning. As the world around us seems to dissolve further into division and chaos, Jang utilizes both brutal and tranquil electronic atmospheres and temperamental percussive elements to document the gradual social and emotional collapse surrounding her at any given moment. ![]() Her new album, Me and the Glassbirds, is a beautiful, serene, and, at times, harrowing portrait of apocalyptic expression. Korean producer Heejin Jang revels in sound manipulation, the mutated impulses of her own creative processes, and the ways in which they change in relation to one another. Drawing from bands and labels around the world, this column will attempt to highlight some of the best artists and albums from this global community. Cassette Culture is a monthly column dedicated to exploring the various artists that inhabit the expansive cassette market. ![]()
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